At the turn of the nineteenth and twentieth centuries. through the eurhythmics of Émile Jaques-Dalcroze. a new relationship between music and movement was established. which closely involved dance and architecture. https://oidwnfm8puvv.aioblogs.com/87843271/the-contested-white-lady-a-critique-of-new-zealand-cultural-heritage-politics
Mouvement vivant et architecture: la marche, les escaliers chez Émile Jaques-Dalcroze et Adolphe Appia
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